Merrimack release third single "Under The Aimless Spheres" - Allied Forces

Prepare to delve into the abyss of existential turmoil as Merrimack unveils their haunting third single, Under The Aimless Spheres. A visceral exploration of existential angst and spiritual dissolution, the track echoing the band’s enigmatic mastery and captivating lyrical depth.

The lyrics, laden with poetic intensity, evoke a journey through the tormented landscapes of the soul. “We hope in her loins for the assumption, The oath is palavered at her breast“, beckons a cryptic exploration of faith and disillusionment, while “Far from the south of descend, We must confront our gravities” challenges the listener to confront the weight of their existence.

With each verse, Merrimack navigates the contours of existential despair, casting light on the ferments of stone and the sighs of the earth. Under The Aimless Spheres serves as a poignant approach to the human condition, where the sacred and profane converge in a tumultuous dance of divine contempt and mortal longing.

Listen to Under The Aimless Spheres below:

Of Grace And Gravity is Merrimack‘s third album released under the Season Of Mist label after having released her successful previous album Omegaphilia (2017) and having reissued the long-out-of-print debut album Ashes Of Purification (2002). The album was recorded at Studio Sainte Marthe in Paris (France) and is produced, mixed and mastered by Francis Caste. The elaborate cover is the work of Portuguese graphic artist Nuno Zuki (Belial Necroarts).

The album will be available through Season Of Mist in digital download, CD Digipak and black, transparent clear, white and transparent with black splatter vinyl. You can pre-order the album through Season’s Of Mist official website.

Tracklist:

Sulphurean Synods (6:42)
Sublunar Despondency (7:07)
Dead and Distant Clamors (5:35)
Wounds that Heal (6:44)
Starving Crowns (8:05)
Under the Aimless Spheres (7:01)
Embalmer’s Wine (6:59)

Below you can listen to Dead And Distant Clamors:

“This song pays tribute to old-school black metal, embracing its desperate atmosphere and incorporating haunting, slow sections reminiscent of a depressive waltz“, says the band about Dead And Distant Clamors. “Guitars engage in a conversation around a hypnotic crescendo, while the vocals articulate the inevitable possibilities of decay. Expect nothing less than a pure homage to the essence of darkness“.

Merrimack can be categorised as extreme traditionalists that are driven by a burning desire to hone their skills and striving to bring their art to perfection. The band was founded by guitarist Perversifier a.k.a. Amfortas in 1994 with a clear vision to keep the black metal flame burning as an act of aesthetic terrorism – as adamantly based in the underground as opposed to any attempts to co-opt, commercialise or turn the style into a self-parody. Introduced by a number of demo recordings (‘Prologue’ – 1995, ‘Act 1’ – 1995, ‘Horns Defeat Thorns’ – 2001) and split releases (with Hirilorn in 1998 and Sargeist in 2002), the French gained respect in the scene by remaining true to their words.

Although Merrimack decided to reach out to a larger audience with the release of their first full-length Ashes Of Purification, the Parisians did not sever their roots with the underground at any time. With the following albums, Of Entropy And Life Denial (2006) and Grey Rigorism (2009), Merrimack closed ranks with the most influential, active, and authentic acts of the French black metal scene. Their classic combination of harsh sound with epic structures appealed to critics and fans alike and put the band on their celebrated first US tour with Marduk and Nachtmystium in 2009.

After recording The Acausal Mass (2012) in the legendary Necromorbus Studio (Watain, Deströyer 666) again, Merrimack embarked on a European tour with Norwegian icons Mayhem and accepted invitations to prestigious festivals such as Hellfest in their native France, Germany’s Party-San Open Air and Summer Breeze as well as Montreal’s Messe des Morts in Canada. With their previous album, Omegaphilia, Merrimack were breathing fresh life into an exhausted genre. While ignoring epithets such as progressive, post-, and avant-garde, the French focused on razor-sharp songwriting, captivating melodies, and close to perfect arrangements.

The ensemble now presents their latest album Of Grace and Gravity, an aural journey where grotesque assemblies of roosters and goats languish at the foot of heavens. Wallowing guitars and hypnotized passages of blasting drums collide with gravity-bound atoms in oblivious occlusion. Merrimack, in their enigmatic mastery, expose the futility of belief in occult ministries and slashes at the mask of the sky. The listener, questioned in their faith of the shadows and occult idols. Dare believe in the sulfurous whispers echoing through this blackened masterpiece.

Bandcamp: https://merrimack.bandcamp.com/
Facebook: https://www.facebook.com/merrimackofficial
Instagram: https://www.instagram.com/merrimack666/
Deezer: https://www.deezer.com/en/artist/99176
Spotify: https://open.spotify.com/artist/3XWKabUW6Y9pm9vyNGlrhV
Tidal: https://tidal.com/browse/artist/3642745
Apple Music: https://music.apple.com/us/artist/merrimack/41660594
Amazon: https://www.amazon.com/music/player/artists/B000QKG2N8